Greetings from Darcy Pattison

Hey, everyone! I interviewed Darcy in November in advance of her appearance at the SCBWI National Conference in New York, where she'll be talking to us about smart marketing ideas. She has a new book trailer that made the people in my house giggle (including the one who just broke her arm skating). Check out Darcy's message below: 

 

The Bison v. Woman Skating Contest

 

Get a sneak peek of my new book trailer for Prairie Storms, a nonfiction picture book about how animals survive the storms on the prairies. The video goes live on January 6, 2012–until then, you must have this URL to see it, but I encourage you to pass it along: http://youtu.be/oRle8t3dHLs

This new video is an example of a YouTube Aesthetic Book Trailer (http://booktrailermanual.com/3-aesthetics/), an informal, humorous video that only addresses the content of the book tangentially, but nevertheless, creates interest. The humor is meant to be shared! So please send your friends to see it.

I will be speaking at the 13th Annual Winter SCBWI Conference in New York City on January 27 at the preconference Marketing Intensive (http://www.scbwi.org/Conference.aspx?Con=9&page=Intensives) on the topic of book trailers. Join me in a discussion of appropriate aesthetics for your book trailer and many more practical tips.

http://www.facebook.com/PrairieStorms

http://www.darcypattison.com

Scholastic publicity and marketing VP Tracy Van Straaten: an SCBWI pre-conference interview

Look! Tracy van Straaten is dressed as Lisa Yee's Peepy! It's a Halloween costume, so you will NOT see her hopping about in yellow in New York.Here's Tracy van Straaten, an industry luminary you'll have a chance to meet at the SCBWI conference Jan. 27-29.

Tracy is Scholastic's vice president of publicity and marketing, and she's good, folks. Very good. I'm not just saying this because of how cute she looks as Lisa Yee's Peepy (Halloween hijinks. Ordinarily, she's much less yellow.)

I first met Tracy virtually a couple of years ago after I wrote an article for MSN Entertainment about the pending release of Catching Fire, the second in the Hunger Games trilogy. I joked a bit in that piece about what I thought was a too-small initial print run, which I'd read on Publishers Weekly or similar source.

Tracy wrote to let me know they'd increased it. She also made sure I had a copy of the ARC, and, well ... I pretty much became a TvS fan for life after that. It wasn't just the ARC. It was her willingness to engage directly with a journalist on behalf of the book. It wasn't a cold call; she'd read my piece and started an individual conversation, a remarkable thing when you think about how many books Scholastic publishes, and how many journalists there are covering the big ones. 

I was delighted to ask Tracy a few questions in advance of the conference. Read on for some really insightful stuff. There's still time to register, by the way. (All the info you need is right here.)

We hear a lot about the growing responsibility authors have for marketing their own books. How much of this is true, and how much of this is more of an understanding that authors have always had a certain responsibility for this? 

 

I think the most important responsibility an author/illustrator has is to write/illustrate the very best book they can. There are many ways in which an author or illustrator can help to get the word out about their book, but the book itself is the most important thing. After that, it’s up to the author/illustrator how much time they want to, or are able to devote to helping to market their book—and which things are the best use of their time. I think one of the bigger myths out there right now is that publishers expect the authors to take on all of the marketing for their books. Certainly, each publishing company is different, and each one has finite resources available to them. But all publishers do SOME marketing for the books they publish. The main thing is for authors to find out what is being done already and then to determine what other things he or she might do to complement those efforts.

I do feel that any published author should have a web site or blog with a list of their books and biographical information so that anyone who searches for the author or their book can find it. It doesn’t have to be fancy or expensive, as long as the information is easy to find and accurate. And, if you enjoy social media, joining Twitter and Facebook (particularly for YA authors) can be useful at publication as a way to engage and interact with fans.  

How do publishers decide their marketing strategy for the books on their list? 

There are many, many factors that go into this, and it varies by publisher. But criteria like age range, subject matter, author’s track record (is the author a debut or a bestseller?), print run, industry trends, and intended market/potential audience for the book help to determine a strategy.

What are some of the best things authors can do to partner with their publishers for a successful book launch? On the flip side, what should authors avoid doing?

The things to avoid can be different from book to book and publisher to publisher. In order to avoid any missteps, the most important single thing is to communicate with your publisher. If you have more than one publisher, be sure to share information about any appearances you have planned. Because standard marketing and publicity procedures vary greatly from house to house, never assume what will and will not be done on your book’s behalf. Ask questions. Find out what marketing and PR efforts are planned. Then come up with a list of other ideas you would like to pursue and send them to your editor. She will let you know if any of the ideas on your list are already being handled or are not advisable. By working together with your publisher you will maximize everyone’s efforts for the most successful launch. Also, try to be patient. While you may not hear news every day that things are “happening,” rest assured that many people at your publishing house are working hard on your book’s behalf!

For people who aren't yet published, what should they be doing to build a platform or network of readers? 

I don’t think a yet-to-be published author should focus too much on building a platform of readers. I think they should focus on writing the best book they can and getting it published. But attending writers’ conferences, following other writers on Twitter and Facebook, and other networking opportunities can give an author a great start by the time their book is published.

More Tracy van Straaten:

Follow her on Twitter 

 

Scholastic editor Cheryl Klein: an SCBWI pre-conference interview

Cheryl KleinHello, writers and illustrators. It's time for another pre-conference interview with one of the SCBWI New York conference faculty. Have you registered yet? You can do so here — but do hurry! 

Meet Cheryl Klein. It wouldn't be difficult to imagine her in a Regency gown taking a turn around the room with — oh, I don't know, JANE AUSTEN — and happily trading witticisms, insights, and invaluable strategies for getting mud out of one's hems. Cheryl is simultaneously smart, witty, and relentlessly practical. There is also a timelessness about her, which is awfully refreshing at the high (or low) point of Kardashian Kulture, and I truly believe she could keep up with Miss Austen.

Cheryl is executive editor at Arthur A. Levine Books, an imprint of Scholastic. A Peculiar child (a reference to the Missouri town in which she grew up), Cheryl went to Carleton College in Minnesota, which I mention in part to note that the surrounding town smells like the nearby Malt-O-Meal headquarters.

She was the continuity editor of Harry Potter, and has edited many wonderful books, including A Curse Dark as Gold by Elizabeth Bunce; Words in the Dust by Trent Reedy; Marcelo in the Real World by Francisco X. Stork; and Eighth-Grade Superzero by Olugbemisola Rhuday-Perkovich (Cheryl is also the continuity editor of this amazing name). You can see the rest of her list here

Finally, Cheryl wrote Second Sight: An Editor's Talks on Writing, Revising & Publishing Books for Children and Young Adults. It's an extremely smart and useful book for anyone in our line of work, and if you'd like a taste of it, you can find some talks on her site. I particularly enjoyed "The Essentials of Plot" and "A Few Things Writers Can Learn from Harry Potter." 

Cheryl took the time to answer a few questions before the conference:  

How has the reception for Second Sight been? What hints and tips have people seemed to respond to most?

I've gotten a lot of really great feedback on Second Sight, and sales have been nice and steady — so much so that I'm about to do a second printing! Writers seem to respond most to the practical tips and techniques, like making a list of the first ten things a character says and does to see what sort of first impression s/he makes, and identifying your central plot structure and the points that need to be covered after that.

How do you know when a revision is working? Is it hard for you, as an editor, to retain enough distance?

A revision is working when I don't notice the issues anymore — or when I notice myself not noticing them, when I see a new clue laid in or plot development and think "Ah, nice work." Generally, though, after a good revision, the manuscript just feels better, and makes me feel more, and more deeply. 

Distance can definitely be a problem, especially if we're working in a short time frame or we're on the second or third go-around, and then I'll often loop in our assistant editor, Emily Clement, for a fresh read. I also try to restate at the top of every editorial letter what the Points as we understand and have agreed on them are -- "Points" being my catchall term for the character's emotional journey (the Emotional Point), the overarching theme or questions the book explores (Thematic Point), and what the story is (Experiential Point). If we have those defined in front of us, then it becomes easier to judge whether or not we're meeting that standard.

What are you hoping people get out of your talk — can you give us a brief overview?

I'd like for people to come away thinking of revision as an opportunity rather than a chore — a chance to see your book and characters more clearly, to know your book and what you want to do with it better, and then to accomplish those goals. And then I plan to offer some techniques for accomplishing those goals! Hopefully it will be fast, and fun, and dense with information, and useful.

* * * 

For more:

 

  • Follow Cheryl on Twitter and read her blog here.
  • Register for the New York conference here
  • Learn more about SCBWI.

 

SCBWI-NY 2012: An interview with Rubin Pfeffer

Most of us have realized that the future of publishing will include, in one way or another, ebooks and apps. But what does it all mean and how can we adapt our thinking and work?

This is where Rubin Pfeffer comes in. Not only has he held some of the highest posts in traditional publishing, he is also blazing new trails in the digital landscape. As a faculty member of the national SCBWI conference in New York,  he'll tell us what it all means, and more important, what we might do to position ourselves to thrive.

First, a bit about his background: Rubin started as a designer for Macmillan in 1974 and then spent 27 years at Harcourt, where he rose to become president of their trade book division during the era the company won Newbery, Caldecott, and National Book awards, as well as Nobel prizes for work on the adult side. He worked as a senior VP and chief creative officer with Pearson Education, blending material from several publishers for both print and online works. In 2008, as a senior vice president at Simon & Schuster, he launched Beach Lane Books, whose first list included a Caldecott Honor and NYT Bestseller (ALL THE WORLD, by Liz Garton Scanlon and Marla Frazee). And in 2009, he joined East West Literary Agency as a partner.

To find out what he said in at the 2010 SCBWI conference in Los Angeles, check out Lee Wind's blog recap.

Here's a preview of what he'll be talking about in New York in January. You can still register for the conference too!:

Rubin Pfeffer: I’ll first give an overview of the language. Apps is a very broad term. Too daunting. Let’s discuss how we may find ourselves active and in the running rather than confused on the sidelines. Much of it seems so abstract and we all yearn to be a part of digital children’s publishing.  But how?  I hope to make the digital jargon clearer, discuss what stories mean in a digital age, who the players are out there, and how best to venture into the space.

You gave a surprising and groundbreaking keynote at the SCBWI summer conference in 2010. Has the industry continued to change as you predicted? 

2010 is eons ago in app-talk. Change continues to be rampant as business strategies necessarily continue to evolve and revolve around possibilities offered by the new medium. But, yes, I will build on points raised from that conference—with the benefit of hindsight—and hope to provide foresight for SCBWI attendees.  I think it will be fun to check off some of the key points from 2010 and see what is happening in 2012.  And let’s throw out some possibie scenarios to look for in the next 18-24 months ahead.

Can you name some authors and illustrators to watch in the app space? What gets you excited about their work, and what can the rest of us learn from it? 

Martha, since this is a blog—a real-time living communication with followers, let’s make this question more relevant and inclusive.  May I invite your readers to reply to this question—and if I can have their responses by 12/31—what they find exciting and WHY, I’ll share and build upon what our own constituents have to say. To kick this off, I recommend A PRESENT FOR MILO by Mike Austin—an early entry into the field of original digital storytelling—as an example of one of my favorites.  Full disclosure: I produced this particular app.  Now let’s hear from your readers.

screenshot of A PRESENT FOR MILO by Mike Austin

OK, let's hear it, friends. What are some of your favorite book apps and app publishers? What do you like about them? Please post your thoughts in the comments.

 

SCBWI-NY 2012: An interview with Darcy Pattison

The lovely Darcy PattisonOne of the best ways of becoming a better writer is to take classes with great teachers, and I've been lucky enough to attend two retreats with Darcy Pattison over the years.

She's amazing, and even though she will stand behind you as you're writing and insist you write MORE and FASTER even though your brain is already melting from everything she's taught you, I absolutely love her. She's fun, smart, patient, generous, and kind--all qualities that make for a world-class teacher.

She's also a well published author herself. Her picture books and middle grade novel have received starred reviews, Book of the Year awards, and state awards. In 2007 she won the Arkansas Governor’s Arts Award for Individual Artist for her work in children’s literature.

She's on the faculty of the SCBWI conference in New York in 2012. (Haven't registered yet? You can do so here.)

Here's a taste of what she'll be talking about:

I’ll be speaking at the Marketing Intensive on Friday and my topic is videos to promote your book, plus little-known tricks on Facebook. I almost said I would talk about book trailer™, but that is a trademarked term and Sheila Clover, who holds that trademark, is stepping up her efforts to enforce that trademark. So, I’m searching for ways to talk about this that don’t use that term. Maybe the video promos we create are Book Talkies? Bideos? (Any suggestions for a generic term are welcome!)

Terms aside, in a recent poll of school librarians, 99 percent said that promotional book videos are either very effective or somewhat effective in getting kids interested in reading a certain book.

Wow! Because we write for kids, everyone needs a video for his/her book! I’ll give tips on creating and distributing them. For examples, see my YouTube Channel with my own promotional book videos, including my latest for 11 Ways to Ruin a Photograph, a book that won “The Help” Children’s Story Contest. By conference time, a new version of my ebook, The Book Trailer Manual will be available, complete with a new name. 

I’ll also talk about underused features of Facebook such as Events. The Random Acts of Publicity was mostly promoted and discussed via an Event Page. It had 499 attendees, a big, wonderful, rowdy party. But I’ve also had success locally, when only 15 people “attended” through an event page, but it meant a packed room.

You've created so many fantastic tools for writers: Your shrunken manuscript, your bundled revision tips… What ones do you find yourself using most often, and do you have any new ones you're excited about?

I am best known for the Shrunken Manuscript technique of revision, which lets you look at the big picture of your novel. It’s still a great technique for me and one I use regularly in revising a manuscript. Early in 2012, a new version of Novel Metamorphosis: Uncommon Ways to Revise will be available. It will have an updated bibliography and a new chapter on writing with scenes.  In 2012, I’ll be teaching Novel Revision Retreats in Houston, St. Louis and Toronto and using the new material. In 2011, there were 4 debut novels coming out of the retreats and so far in 2012, there are 3 debuts. (Here's her speaking schedule for 2012.)

You started the wonderful Random Acts of Publicity Day. Can you tell us how you came up with that idea, and what it's done for authors and their books?


Three years ago, on a lark, I decided to declare the week after Labor Day as the Random Acts of Publicity week. I was tired of pushing my own books, tired of the inward focus of my efforts. I wanted to look around and just love some great books, and I thought other writers might want to do the same thing.

The RAoP is all about your friend’s book: it’s a week to celebrate your Friend’s book, or your favorite book, by doing a Random Act of Publicity: Blog, Link, Like, Review, or Talk about the book . (BLLuRT!) It was great fun and we had great sponsors this year who donated 17 free publicity consultations and one free book (Raab Associates, Blue Slip Media, Deborah Sloan & Company and Savvy Book Marketer). It was a fun week.  Join us on September 4-7, 2012 for the 4th Annual Random Acts of Publicity.

Darcy's looking for suggestions for names to call promotional book videos. Some of her ideas:

  • Bideos
  • Book Talkies
  • Living Book Jackets
  • Peek-a-Book

Have ideas? Put them in the comments, please!

More Darcy Pattison: